THE ORIGIN
ABOUT FILMCUBE &
ABOUT THE FOUNDER
The
inception
Filmcube started out of frustration: building a rig shouldn’t require buying 20 separate pieces just to end up with a Frankenstein setup. Cages, plates, clamps, adapters—everything works, but nothing feels like it was meant to be one thing.
So I made FilmCube to turn that mess into a single, cohesive system—a rig that looks finished and works like it belongs there.
The
FOUNDER
I’m a full-time filmmaker. Sometimes solo, sometimes on a team. That means I live in both worlds: fast setups and real production demands. Filmcube products are designed from that reality: clean, functional, and ready to work without getting in the way of the shot.
I also have a Bachelor’s in Industrial Design, and I’ve been designing things since I was a kid. I stumbled into filmmaking by accident, fell in love with it, and never looked back. Now I’m blending both worlds: industrial design discipline plus real on-set experience, shaped into gear that feels like it was meant to exist.
This was the original FilmCube. UNI_BOX was a solid first swing at product design. With FX Cine Extension, we didn’t just iterate. We leveled up and went straight for the home run.
The
PROCESS
Every FilmCube unit is handmade in the USA, 3D printed with high-quality materials and finish, and quality-tested before shipping.
Because it’s small-batch production, slight variations can happen (nothing mass-produced here).
The result is gear that feels intentional: designed, built, and finished with purpose.
FX Cine Extension took over a year to develop. I went through hundreds of prototypes, iterating and testing in real shooting situations until the design held up.
Along the way, I restarted from scratch at least four times, abandoning entire directions when they weren’t meeting the standard. That process is what led to the final form.